The King's Daughter:
a Novel of the First Tudor Queen
by Sandra
Worth
Capitivity and
Power Plays, Kingship and Motherhood
Publisher:
Berkley (December 2008)
Elizabeth of York, loyal daughter to King Edward IV, worships her
father and believes in him as king. While her mother plots and schemes,
her father reaches her with his ideas and warmth. When he dies,
Elizabeth encounters Richard, Duke of Gloucester, the man appointed as
regent for Edward's son. Despite the wicked rumors about Richard and
the multiple misfortunes her family experiences throughout his rise to
power, Elizabeth knows her father entrusted the kingdom into his hands.
Was he wrong? One night, Richard's wife Anne speaks to her from the
heart and Elizabeth comes to know better the man, as king as and
father, and indeed herself. As political pressures come to bear, making
her a pawn in a power play for the kingship, his presence in her heart
helps her to endure the horrors ahead and devote her life to serving
England as wife to Henry Tudor (Henry VII).
In the absence of letters or personal documents from Elizabeth of York
herself, Sandra Worth's first person narrative creates an insightful
portrait of her as a woman and mother during turbulent times as the
Middle Ages come to a close and a new era is born when Elizabeth
becomes the first Tudor queen. Sandra Worth makes the connections
between all the royal figures throughout these shifts of power so that
readers feel the intrigue and danger among the uneasy alliances. THE KING'S DAUGHTER gives a
chilling insight into the heart of the monarchy where family alliances
provide solace but also create a threat to one's very existence as
grabs for position within the family destroy. A brother is not just a
brother but also a man who stands in the way of access to power. Within
this context, the contrast between Elizabeth and her mother, and later
Elizabeth of York and Lady Margaret Beaufort (mother to Henry VII)
highlight the precarious position of women in this world as well.
Sandra Worth provides an intriguing look not only into the limited role
of women during this era but also a look into which the wield power of
their own and the determination choices royal women make, albeit in
ways perhaps less obvious to the casual observer.
THE KING'S DAUGHTER
brings several key characters to life so that historical figures
sometimes presented as isolated characters in history books are now
seen in their relationships to one another, thus giving this period a
new vibrancy and depth. THE KING'S
DAUGHTER focuses on Elizabeth as a woman in her roles as
daughter, lover, wife and mother. Sandra Worth views this period
through family dynamics and love first and foremost, juxtaposing the
sometimes brutal machinations of power of those surrounding Elizabeth
to her longings and devotion to family. Living her life in one sort of
captivity or another most of her life, some more obvious, such as her
time of escape to to sanctuary, than others, such as her being under
the
almost absolute control of her mother-in-law, Elizabeth of York was a
quiet woman with a rich inner life. Elizabeth thought, read and
internalized omens and the great works of medieval literature from
Boethius, the Tristan tale to Sir Thomas Malory's Arthurian tales.
Although the dating of Boethius is off a couple of centuries (an
editing typo hopefully but an important correction not to miss), Sandra
Worth does an exceptional job not only in her selection of relevant
medieval works, but also in her use of them in Elizabeth's thoughts to
give a depth to her character and to the period itself. As the new
world emerges, slight hints of that change enter in references
to Erasmus and a chilling reference to Machiavelli's THE PRINCE. Through literature, the
reader comes to know Elizabeth's values and her intimate thoughts on
love and kingship. Though sometimes Elizabeth appears frustratingly
submissive, Sandra Worth's contrast to the careful and covetous
plotting of others shows growing determination within her to make a
difference, a determination that in the end makes her true to the name
"Elizabeth the Good" often bestowed upon her. As the novel progresses,
Elizabeth of York moves from being a woman mostly ruled by others to a
woman looking outward, not only as a mother trying to look out for her
children, but also a woman determined to serve her people. Sandra Worth
leaves readers with a haunting, disturbing image of the future Henry
VIII. THE KING'S DAUGHTER will
appeal to a wide variety of historical fiction readers, not only for
the presentation of a world in the process of change but also Sandra
Worth's ability to capture the the inner lives of her characters.
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